I didn't expect this; what a pretentious film. The DVD cover proudly states how 'powerful' it is, and how it was a 'wake up call'. I'm sorry, this film about urban chaos has been done better many times, Taxi Driver being the first example that springs to mind. It's all been said before, but it's upon watching films like 'La Haine' that you truly realise what Robert De Niro created in that performance, his descent into madness totally consumes the viewer.
'La Haine' on the other hand has three leading characters, who, like the film itself, are quite frankly boring. There's no real depth to them, they're annoying, they're just three angry, bitter scumbags who can't function properly in decent social circles(with the exception of Hubert for the most part, however he can be just as bad, as showcased in the art gallery scene). The characters, especially Vincent Cassel's 'Vinz', quickly become tiresome. I'm afraid I'm all too familiar with these types, those playing the victim of society, moaning that they have no opportunities when they know full well that they could make something of themselves if they tried, they're just scared. People like that thrive off making a nuisance of themselves. However, that slightly sociological rant brings me onto some praise; I commend how accurately the characters are represented, but 90 minutes of these characters simply doesn't make for good viewing. Very little happens in 'La Haine', it relies on dialogue, and that certainly doesn't help it, it's no 'Pulp Fiction' in that respect. The narrative, much like its characters, is aimless, not good filmmaking.
The only thing I'll remember about La Haine is its abrupt ending, which just serves as chronic bathos in my opinion. If the team responsible for this were aiming to recreate the dreary trials and tribulations of a few members of the Parisian underclass, they achieved admirably.
-Jack Hawkins, Rotten Tomatoes
'La Haine' on the other hand has three leading characters, who, like the film itself, are quite frankly boring. There's no real depth to them, they're annoying, they're just three angry, bitter scumbags who can't function properly in decent social circles(with the exception of Hubert for the most part, however he can be just as bad, as showcased in the art gallery scene). The characters, especially Vincent Cassel's 'Vinz', quickly become tiresome. I'm afraid I'm all too familiar with these types, those playing the victim of society, moaning that they have no opportunities when they know full well that they could make something of themselves if they tried, they're just scared. People like that thrive off making a nuisance of themselves. However, that slightly sociological rant brings me onto some praise; I commend how accurately the characters are represented, but 90 minutes of these characters simply doesn't make for good viewing. Very little happens in 'La Haine', it relies on dialogue, and that certainly doesn't help it, it's no 'Pulp Fiction' in that respect. The narrative, much like its characters, is aimless, not good filmmaking.
The only thing I'll remember about La Haine is its abrupt ending, which just serves as chronic bathos in my opinion. If the team responsible for this were aiming to recreate the dreary trials and tribulations of a few members of the Parisian underclass, they achieved admirably.
-Jack Hawkins, Rotten Tomatoes